![]() it was ok, Im no editor, & with Help a coherent movie with a script, & director. ![]() That became a way to put Mary and Toller in extreme proximity without having the trappings of a love story. So I ended up with most songs on the Help album, in the film. So now the question became: How could I get them to levitate in a way that wasn’t overtly romantic or sexual? I came up with this idea of Mary being in despair, and darkness, and coming over frightened, and talking about something that she and her husband used to do, a magical mystery tour. I began to think, how can I convey that to the viewer? I was watching and looking at a lot of slow cinema in preproduction, so I thought to myself, What would Tarkovsky do? Well, Tarkovsky would have them levitate. Before that could happen, we had to remind the viewer that this world exists, that there’s a spiritual reality right underneath us, or right next to us. I knew that the main character had to get into that space. A typically Beatlesque film originally produced for television, this short film was intended to be an off-the-wall road movie with the Beatles and three. It’s a world that’s running alongside of us, that we feel we can almost reach over and touch. I knew that at the end of the film, the story had to transcend the material world, and touch the world of the spirit. I don’t think there is a “toughest scene I wrote.” That said, there was a scene in First Reformed that required a bit of imagination: the levitation scene. By the time I put pen to paper, I know the scene is going to work. If a scene can’t be cracked, I work around it, or keep rethinking it in my head till I know it works. Schrader explained how he pulled off lifting his script from the trappings of reality into Toller’s spiritual crisis. Schrader’s script goes beyond a staring game for lovers: Toller and Mary float up into the cosmos and across the wonders of the world. She suggests they try something she used to do with her husband: laying on top of one another, looking deeply into the other’s eyes. The premise was inspired by Ken Kesey's Furthur adventures with the Merry Pranksters and the. It is the third film that starred the band and depicts a group of people on a coach tour who experience strange happenings caused by magicians. After her husband’s suicide, Mary seeks solace from her depression, a feeling Toller knows well. Magical Mystery Tour is a 1967 British made-for-television musical film directed by and starring the Beatles. For this installment, First Reformed writer and director Paul Schrader unpacks an intimate scene between Reverend Ernst Toller ( Ethan Hawke ) and a young widow named Mary (Amanda Seyfried) who he’s been counseling. Once again, Vulture is speaking to the screenwriters behind the awards season’s most acclaimed movies about the scenes they found most difficult to crack. You begin to see something in that shot that you wouldn’t see otherwise: the different silhouette line on a man’s face than on a woman’s face.” Below are the notes from the back of the case:THE. “I held on that profile shot of the two of them for so long. Heres a nice change of pace Heres a documentary on the making of the Beatles Magical Mystery Tour film.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |